
This is Hayley Williams of Paramore. ♥
So, Paramore + music theory= recursion project inspiration.
I discovered Paramore about 2 years ago. Since then, they have become so awesome that even string quartets are covering their songs (yay, chamber groups!!!!). Their song “Pressure” has been covered by the Vitamin String Quartet and redone in an acoustic version by the band. I was originally going to play all three versions on top of eachother, but that sounded gross. Then I tried to break them apart and introduce the next track after each time a chorus ended. Well, that didn’t sound very good either. It doesn’t exhibit the idea of recursion very well if you can’t even hear what the heck is going on. So, I created a playlist with the songs in this order: Quartet version, acoustic version, original version. This way, the songs build (in terms of music theory) as the playlist goes on just like those equations we did in class.

The Quartet’s version consists of a basic bass line, harmony, and one line of melody. It is pretty much the song in its simplest form. The acoustic version takes the harmony and bass and puts it into chords played by two guitars. The guitars also act as the rhythym section in this song (which the previous one did not have). The melody sung with words rather than just played. The original version consists of vocals with harmony, two guitars with distortion, a bass, and a drum section. It also incorporates some little guitar licks not included in the acoustic version. The rhythym and bass are much more complex in this song than either of the previous versions. Each song adds new elements to the basic frame of the song and makes the new version even bigger and better than the last one. You cannot get the original version without breaking it all down and using the basic music theory from the Quartet version. As for the math behind all this… This is music, and of course you can’t have music without math. The biggest thing that changed in these songs every time was harmony. Harmony is not just throwing notes together; only notes at particular intervals sound good together. Also chords in a song must all be in the same key. The key of a song is determined by the notes being used and the intervals of whole and half steps between them. Time signature is another HUGE part of music, although it usually only consists of counting to 4 or 6. Without it music would always fall apart.